Metamodern Vision of Tola Wewe: International Edition

Metamodern Vision of Tola Wewe: International Edition

In Metamodern Vision of Tola Wewe , Okediji, artist, founding member of the Ònà Art Movement, professor of Art History, writer and curator, deploys the archaeological tools of metamodernism to explore the works of Tola Wewe. Using analytic discussive tools to transcend modernist lenses, the book delves into the Yoruba cosmology and aesthetics to explore territories of the mysterious and metaphysical in the creative process and interpretive program of Wewe' work. It unveils Ònà, the concentration of artistic energies for aesthetic healing that serves as the inspirational driving force behind the work of one of Nigeria's most innovative and influential artist. Review This is a wonderful account of the artistry of Tola Wewe as well as an insightful analysis of the history of contemporary art in Nigeria and a deep philosophical dive into African/Yoruba spirituality and aesthetics. Moyo’s definition of Ọnà is brilliant – “…a concentration of artistic energies for aesthetic healing; a search for clarity in the midst of chaos; a devotion to structure in the engulfment of calamity”. I appreciate his deep dive into Yorùbá history, philosophy, and current state of being – the unsettling and challenging conditions of living in Nigeria. This work is grounded – that is, it proceeds from a personal, visceral, multi-sensorial understanding of life in Nigeria and the forces that have shaped the creation of ọnà – Yorùbá art as evocative form, and healing force. Okediji is an excellent writer – and player – with -words – a wordsmith – a master at the playfulness of language to make his reading audiences see the music, hear the sights, and taste the sounds. His deep and rich analyses will set a new high bar for others to follow and emulate – his is the new metamodernism that is post – post – modern in that it opens up new horizons of thought and vision and understanding from a deeply – centered, African/Yorùbá perspective. This Okediji book is outstanding and ground-breaking. It has deep insights and creative, compelling arguments about the nature of art as healing medicine that will resonate with audiences globally. Henry John Drewal Emeritus Professor of African Art Former Evjue-Bascom Professor Review In his highly anticipated and beautifully written book, The Metamodern Vision of Tola Wewe , Moyo Okediji draws on several decades of experiences working with Wewe, along with, as one of Nigeria’s most prominent art historians working today, his extensive knowledge of Nigerian history, Nigerian modern art, and Yoruba philosophy and culture. In the eight chapters that comprise the book, Okediji seamlessly interweaves anecdotes about Wewe’s life, with references to the shifting political terrain in Nigeria, reflections on Yoruba cosmology and art, and nods to decolonial theory, bringing Wewe’s works to life. This book will be of particular interest to those engaged with postcolonial Nigeria and Yoruba art and culture. However, it will also have wider implications for global contemporary art, particularly with its thoughtful articulation of metamodernism, as Okediji puts it, a theoretical framework that engages “modernity, while reflecting on the body of art that modernity obscured or rendered absolutely invisible.” Okediji provides an immersive read, even when explaining complex ideas, which will appeal to a far broader readership. Janine A. Sytsma, Ph.D . Assistant Professor, Art History Review In Metamodern Vision of Tola Wewe , Okediji had written a deeply penetrating, compellingly engaging and incisive magisterial study on one of the most fascinating, complex and prolific artist on the African continent in the 21st century. Bolaji Campbell Professor of Art History