Channeling Harrison

Channeling Harrison

This book is a true account of the ongoing and mind-blowing experiences between David Young, a multi-talented musician/producer artist, and former Beatle George Harrison. What David Young, who plays two flutes at one time and has sold over a million CDs, has documented is verifiable, real, and astounding. Every time he questioned his direction, he was (is) guided by one of the most loved, respected, and spiritual musicians of all time. The story abounds with seemingly impossible synchronicities, lined up one after the other in perfect time, all of them helping him to rise above his life’s challenges, and not only evolve as a musician, but as a spiritual being as well. George entered David’s life during a time of devastating heartbreak. This intervention was just the beginning of over forty incredible experiences. George’s musical genius began to channel through David’s own music. After recording forty instrumental CDs, David spontaneously wrote and recorded twenty-five vocal songs in thirty days!—songs with depth and rich production values like the Beatles, in a rock-with-soul style he had never done before. What is George trying to communicate, and why has he chosen David? Channeling Harrison proves there is life after death—or, better yet, life after life. The book comes with a free download of three of these Harrison-inspired songs, as well as three spiritual instrumental tracks. "It is one of the most fascinating stories I've ever come across, and David Young's writing style is so authentic and from the heart. I love a read that sails along, and the pace is just right." -- Ann Ulrich Miller ― The Star Beacon "The title will catch the attention of Harrison fans and those interested in the paranormal, reincarnation, and life after death." ― Library Journal "Now, before you gently weep about this dark horse of an indie book, just leaf through it and you'll think, my sweet lord, there's something to this." ― Foreword Reviews David Young has recorded 55 albums and has sold over a million CDs. His relaxing instrumental music features a unique technique of playing two recorders (renaissance flutes) in harmony at one time. He is also an accomplished singer/songwriter/guitarist whose voice and songs have been used on numerous TV productions. Over 10,000 massage therapists, spas, healing centers, and hospital all over the world use his instrumental music every day to help people find peace in this stressful world. Editor's Preface by Robert S. Friedman I've been involved with some, shall we say, intriguing authors and books in my almost forty years in the publishing business. Authors like Neale Donald Walsch ( Conversations with God ) and Richard Bach ( Messiah's Handbook ) are among them. I must say that working with David Young on Channeling Harrison is high on that list. The sheer number of synchronicities that have occurred in his life around his interaction with George Harrison is mind-boggling. Carl Jung, are you listening? Even in the short time he was at my home in Virginia, as we made the final editing changes, some amazing things happened right here in the house, and in my life. Well before we even contracted the book, stuff was happening around the publishing company. A couple of events are in this book...for example, David's meeting on the road, at random, with one of my neighbors (there are only about twelve houses on this entire dead-end unpaved road). The neighbor is a sound engineer, and he just "happened" to have a good friend who was a well-known drummer, and played with George on his album, All Things Must Pass. But I think it's important to mention one incident that didn't make the final cut. While David was here, we had a couple of conversations, the theme of which could be summed up as, "What does George want ?" How did he know that it was really George Harrison, and if so, why was he playing in David's life? I was writing that question on the computer, in the working manuscript, as we wondered how it would be answered. At the exact moment I typed that line, the power went off in the entire house, on a perfectly clear, windless day. And when it came back on in about ten seconds, that line was missing when we booted up the computer and pulled the manuscript back onto the screen. Guess George didn't want us to deal with that question right then. Certainly, George's influence has caused David to write music that pulled him back to his roots, and to again write song lyrics, which he had given up writing years ago in order to focus on his flute music. Was George just trying to write "through" David, to express his creatiuvity again in a physical universe? That wouldn't be an unknown or even an unusual phenomenon, as there have been a number of reports of people channeling Beethoven or Bach, and writing some remarkable music in the process. But that music will never be taken seriously as the work of those masters in this material world. After all, how does one know